XIANG XU DANCE
Commissioned Piece for Boris Eifman Dance Academy and Innopraktika school
Choreography I Xiang Xu
Lighting Design I Jay Herzog
Costume Design I Leigh Targaryen
Cast I Boris Eifman Dance Academy
"Ой, цветёт калина"
"Ой, цветет калина" is a mesmerizing contemporary ballet that beckons the audience into a world infused with timeless romance. It transcends the boundaries of time, seamlessly weaving together the past, present, and future, where the delicate threads of human connection intertwine with the enigmatic allure of machines. Amidst this enchanting tapestry, a pure love story unfolds, an emblematic tale that may be the very cornerstone of our human civilization.
As we contemplate the passage of time and the cyclical nature of our collective history, we find solace in the profound significance of an ordinary love story between two souls. It is the essence of our shared humanity, a vital thread that weaves through the fabric of generations. With each passing era, as we pass down the cherished love song, "Ой, цветет калина" to our successors, we question whether the future will hold dear the remembrance of that age-old romance. Will this treasured opus endure, transcending the boundaries of time, echoing into the very depths of our human civilization?
As we contemplate the passage of time and the cyclical In the twilight of our existence, as we ponder the inevitable rise of robots and their ascension to prominence, we find solace in the notion that even they, with their cold steel and circuitry, might carry within them the echoes of "Ой, цветет калина." For in the grand tapestry of our shared experiences, this dance work stands as a testament to the eternal power of love. And perhaps, as the recorder faithfully captures the essence of this timeless ballet, it will serve as an everlasting vessel, preserving "Ой, цветет калина" for a thousand years and beyond, ensuring that our most precious tales endure through the ages. of our collective history, we find solace in the profound significance of an ordinary love story between two souls. It is the essence of our shared humanity, a vital thread that weaves through the fabric of generations. With each passing era, as we pass down the cherished love song, "Ой, цветет калина" to our successors, we question whether the future will hold dear the remembrance of that age-old romance. Will this treasured opus endure, transcending the boundaries of time, echoing into the very depths of our human civilization?
Human Relations
Commissioned piece 2023 for Boris Eifman Dance Academy and Innopraktika School
Choreography I Xiang Xu
Lighting Design I Jay Herzog
Costume Design I Leigh Targaryen
Cast I Boris Eifman Dance Academy
"Human Relations" is an evocative dance work that delves into the complex nature of social encounters. Drawing inspiration from Sartre's philosophical masterpiece, "Being and Nothingness," the performance explores how human relations can often lead to a sense of self- alienation. However, the work challenges the notion that philosophy is solely subjective, emphasizing that truth can be found in the natural laws governing our existence— interconnection, altruism, harmony, balance, interdependence, and unity.
Through mesmerizing choreography, the dancers illuminate the implications of these principles, offering a template for genuine and fulfilling relationships. From the varying dynamics of human interactions in different cultural and religious contexts to the rich tapestry of history's stories, "Human Relations" unveils the profound philosophies embedded within our actions and invites audiences to reflect on their own role in the interconnected dance of life.
The Bardo
Commission piece 2021 for The School of Theatre and Dance, James Madison Universty
Choreography: Xiang Xu
Music Composition: Yo Yo Ma and Laurie Anderson
Lighting Design: Steven P Spera
Costume Design: Elizabeth Powell Wislar
Cast: The School of Theatre and Dance, James Madison Universty
In the space between past and future, having and losing, knowing and not knowing, lies an opportunity for awakening. Bardo is a Tibetan word that simply means a “transition” or a gap between the completion of one situation and the onset of another. Bar means “in between,” and do means “suspended” or “thrown.” Bardo is a word made famous by the popularity of the Tibetan Book of the Dead. I think of a bardo as being like a moment when you step toward the edge of a precipice; such a moment, for example, is when a master introduces a disciple to the essential, original, and innermost nature of his or her mind. The greatest and most charged of these moments, however, is the moment of death. Sogyal Rinpoche
Dantian (2021)
Commissioned Work for J Chen Project
Dantian is where the energy of life– Qi – is stored. It is the foundation of balance, breathing, rooted standing, and full-body awareness in martial arts It is the point within the physical self that connects to the universal life-force. When this gateway is open, we receive from the universal source a transmission of energy that flows through our meridians and chakras until it touches every organ, muscle, bone, skin, and part of our brain, uprooting and transforming stored contraction and fear along the way. The power of this expanding energy cleanses all that we have inherited and absorbed at the cellular level “Cellular Purification Process”. Close your eyes and follow your “qi” to guide you through your own universe inside the place Dantian. It is your unique journey through different unexplored inner dimensions of the “Black Hole,” “Elixir Field,” “Sea of Qi,” and Home-returning.
Gone to the Unseen (2019)
Cambodian National Arts Center
Vessels Bearing (2019)
Commissioned Work for Joffrey Academy of Dance
Poet: Rumi (13th century Persian)
At last, you have departed and gone to the Unseen.
What marvelous route did you take from this world?
Beating your wings and feathers, you broke free from this cage.
Rising up to the sky, you attained the world of the soul.
You were a prized falcon trapped by an Old Woman.
Then you heard the drummer's call and flew beyond space and time.
Rice is the lifeblood of Asian culture. When it lands on our table, the rice bowl holds its energy, maintains its warmth, and binds ten thousand grains into a cohesive entity. The bowl is a boundary that embodies the togetherness with all that is inside, and the separation from all that is outside.
The Soul of Water (2018)
Commissioned Work
Great Hall of the People, Beijing
Different from former Dai dances, the Soul of Water has no traditional pavanes. Although three curves were still applied to display the exquisite bodies of women, some elements of modern dances were added to make the composition more smooth and fluent. The second half told about the little acolyte who grew up and entered into the world of God for his own spiritual pursuit. As the director, I did my best to integrate more movements and expressions of traditional dancing culture into my creation and even referred to Indian classical dance and Thai dances. Through this composition, audiences could witness my deliberation and exploration of the national spiritual status from a child’s angle. From the dark and chaotic world into the brightness of Buddha, perhaps we should experience the love behind it with a Buddhist mind.
The People of the Sun (2018)
Commissioned Work
Deeply Rooted Dance Theater, Chicago
Choreographer: Xiang Xu
Venues: David Logan Center for the Arts Chicago
Production years: 2018
Divinely revealed religions across the world point to a single omnipotent deity. The sun has been given an extraordinary position in early African cultures. Its commanding presence in the sky, its brightness too strong to look at, its light and warmth essential for life—is a powerful symbol for the divine. Depictions of the sun are rare in Africa’s traditional arts, but ideas about the sun underscore its ever-present influence. In some traditions on the continent and in the African diaspora, the rising and setting of the sun and its path across the sky each day suggest the cycle of life, from birth to adulthood to death and rebirth.
Safe Room (2017)
Unbounded World (2017)
Commissioned Work
Deeply Rooted Dance Teater, Chicago
The Dance of Mindedness embodies the human’s spiritual understanding of themselves, their exploration of soul and desire for spiritual power. In the pure light, dancers give full play to their potential to seek disallowed hope and inner quietness. This is the call of Buddha and the realm of Nirvana. For this piece, I deeply explored Buddhist philosophy in regard to contemporary dance. The piece supports my belief in sharing different religious philosophies in dance with different background dancers and choreographers. Dance Teater, Chicago
Company: XY Motion
Choreographed by Xiang Xu, Hyung Ji Yu
Music by Debussy, Krysztof Penderecki
Performers: Hyung Ji Yu, Xiang Xu
There is a room where people can talk freely about ideas and share their secrets without fear of being judged. We all have that small room in our hearts, but sometimes we keep the door locked. If we open it, we find one can exist without the risk of feeling ashamed. In that room, we can be trustfully ourselves and create our individual kingdom to unleash our restricted freedoms. That is the safe room where I stay.
In Brtightness (2015)
Choreographer: Xiang Xu
Dance Group: Creation Group of The Soul of the Water
This is so I heard. Buddhist temples spread over the world while the brightness shines the whole world. Brightness means wisdom and hope is the direction of life.
Dawn Undersea (2015)
Choreographed by Xiang Xu
Performer: Xiang Xu
This piece explores the relationship between the ocean, the source of all life on earth, and the human body. The strange and yet familiar fluid movements of undersea creatures provide a primal inspiration for this contemporary choreography.
Our Yellow River 《我们的黄河》
Choreographer: XU Xiang
Dancers: Beijing Dance Academy
Yellow River has recorded the story of our nation…
A passionate river!
An unyielding river!
A river that writes the love and hate of our mother
Our Yellow River chooses the music of the well-known piano concerto Yellow River. Setting Anti-Japanese War as the background, the composition aims to speak highly of those heroes who fought against invaders strong-mindedly. It is the very fighting spirit that hits our hearts and triggers our creation. In our own ways, we unscramble the Yellow River to commemorate that unforgettable period. This is Our Yellow River.